Category Archives: ET

Perry Mason: A super origin story on HBO


In Indian mythology, Hindu God Krishna teaches a lesson to the dreaded child killer Kamsa, and announces his arrival as the incarnation of Supreme God. Perry Mason’s legend begins the moment he solves the crime involving a child killing and when justice is delivered both in and out of the court room.

Image Courtesy: HBO

Perry Mason (HBO) Season 1 springs several surprises during the course of its eight episodes, by toying with the pace of narration, as in the super fast transformation of Perry Mason into a lawyer. But the writers keep the best for the last. (Spoilers ahead)

In Episode 8, showing the actual perpetration of the crime while Perry Mason struggles to weave a coherent and convincing argument sets up the emotional build-up very nicely. It gives a reason to his outburst, as someone who knows for sure what the truth is and the innocence of his client, yet has to find a way to get it across to the jury. In one masterstroke, the writers managed not only to create the drama in the court room but also help Perry Mason understand what lawyering (with a profanity for emphasis), is all about. And in the process also bring out the key differentiator in the characterization of Perry Mason, as someone who is a crusader, and takes everything very personal. A case is always a more than just a case for our detective turned lawyer, and hence a hero with a mission.

What’s really terrific about the series is the lavish scale on which it is mounted and the effort in bringing out the racial and gender prejudices that are relevant even today.  And it warms your heart when Ms.Della Street announces her intentions to be a lawyer without a modifier and his detective having no inhibitions in haggling for his fee. Differences apart, they make one heck of a team.

Season 1 of Perry Mason succeeds in creating the legend of how it all began and now the audience is ready for his exploits. It would be interesting to see how Season 2 is handled, if it would be one big case again or a series of small ones set for a big finale.

‘The Perfect Murder’

Inspector Ghote/Naseeruddin Shah

Middle class is called so for a reason. They float between flying aspirations and ground reality. They need to prioritize everything in life, and Inspector Ghote is no different. He just has to prioritize even more…from a list of three or more important priorities at work and a zillion at home. He would love to travel abroad but he is prioritising his other ground priority, a colour TV.

‘The Perfect Murder’ (based on HRF Keating’s work) released in 1988 is a perfect film in terms of casting led by the sublime Naseeruddin Shah. He brings such a human touch to his portrayal, that if Police were to showcase a friendly brand at that time, he would’ve been the perfect ambassador. As a man stickler to process and procedure, and burdened under Indian culture and conditions yet determined to do his job, he delivers one of the finest performances surprisingly in a detective/inspector led crime movie role. All the other cast members including the veteran Amjad Khan with his Indian English (only), shine in the Mumbai backdrop film.

With a new series around Inspector Ghote, around the corner, it will be interesting to see how the new avatar would take shape. Will it be a tech savvy reboot like Sherlock or a gritty and grisly Perry Mason? Worth finding it out.

‘Joker’ and ‘Full Metal Jacket’

In the movie ‘Joker’, there is an expression of Joaquin Phoenix that tells it all. It essentially captures the complete loss of his innocence, and his belief in the world. He is alone in his thoughts in a made up world and all his psychotic mind can think of is the destruction of the world outside. Something similar happens to Pvt.Pyle (Vincent D’Onofrio), when he loses his faith in everybody and just snaps.

These two expressions of two very good actors are quite different, understandably as one is about to self-destruct and is sure about it (Pvt.Pyle), while the other (Arthur Fleck aka Joke) looks it at like the start of a dangerous game. This perspective of ‘Full Metal Jacket’ and Pvt.Pyle comes very handy in understanding the portrayal of Joker by Joaquin Phoenix, who internalizes everything except the laughter as if it were a defense mechanism or an appearance and his every hurt comes to haunt him in mega proportions which he unleashes on the real world.

In the end what we have is a mad man, who looks at his moves as funny and questions who are others to decide what is funny. But there is question about the performance of Oscar winner Joaquin Phoenix, which is serious and spectacular in each and every frame.