Category Archives: ET

Meet Viju Prasad

More of Viju Prasad coud have helped Anwar Rasheed’s ‘Trance’?

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In the late 80s any attempts to deviate from the regular was met with a disaster at box office. This was especially true for big stars like Amitabh Bachchan. His terrific portrayal in ‘Main Azaad Hoon’ couldn’t help the film from sinking without a trace. The film itself was an adaptation of Frank Capra’s classic ‘Meet John Doe’, where a good for nothing simpleton becomes an overnight sensation, thanks to some crafty schemes of the men behind, who pull the right strings. What happens when the puppet decides to have its own life and break away from the powers to be, is the crux of both films. Without sounding repetitious, or rather sounding repetitious, one has to agree that it is one of the best performances of Amitabh.

‘Trance’ reminds you a bit about these films. A mentally depressed person is picked up and groomed to be a pastor, who can connect to millions of people. While the pastor is bringing his followers the sunshine of Jesus’s miracles, his masters make hay.  One fine day, the pastor/puppet decides to break away and that’s when the movie goes into a spiral and never recovers.

Mental depression or for that matter any mental illness is hard to spot, unless the intensity is so much, that the person shows the symptoms all the time. Otherwise, they look and come across as normal, barring those episodes where the other selves kick in, which most of the times could be when they are alone. The first half of the movie achieves this depiction brilliantly, with Fahadh Faasil switching from one shade to the other, effortlessly. It’s the script in the second half that deserts him, leaving him repetitive and confused, just like the audience.

Overall, ‘Trance’ is an okay film for a one time watch, powered by a spirited performance from Fahadh Faasil and tied in by the novelty of the theme.

Tail piece 1: At the end of the show, when someone was asked about how the film was, he apparently said ‘Main…. Azaad Hoon!’ (‘At last… I am free!). Back then, such negative reactions did cause much hurt to sincere Amitabh fans like me 😉

Tail piece 2: For a few moments I wondered if the movie would take RK Narayan’s ‘Guide’, where the pastor redeems himself as a true saviour or a seeker. Reminding us of such possibilities indeed shows that the script had a lot of promise, which evaporated once the typical denouement of plots was chosen. Ex. The antagonists getting butchered and washed under a (Quentin Tarantino) blood splurge

Tail piece 3: When one is battling mental illness, he/she should reach out to qualified doctors and stay away from dark suited businessmen, even if they were the likes of Gautham Menon. 🙂

St.Elsewhere S1- A Classic

St.Elsewhere (1982-1988) was an acclaimed and award winning TV series that appealed to a niche audience.It was set at the fictitious St. Eligius Hospital, which was often derided as St.Elsewhere in the medical circles for its not-so-great infrastructure.

The TV series takes us through the lives of the dedicated staff, who fight it out against all the odds to give the best possible medical care to their patients. The episodic format allowed the writers to introduce a new patient (in the form of terrific actors like Tim Robbins, Thomas Hulce etc) and weave his/her personal story into that of the key characters.

The structure of the TV series hovers around these four. (Spoilers ahead)

  1. Establish the not so perfect world through the eyes of the key characters (The hospital itself being treated as a character. The long takes are as if the hospital, a third eye, allowing us to peep in to the extent it wants.)
  2. Introduce new characters often as patients every week bringing in new problems that affect the lives of the lead actors/protagonists. (Sometimes non-patients are introduced as well, like a lawyer who helps out on a malpractice suit or a heart specialist from Hungary or a lobster fisherman struggling with his brother’s cancer etc)
  3. The key characters learn something about themselves while teaching or treating or just interacting. (Dr. Auschlander’s conversation with a liver patient is one of the best, who sees hope in life inspite of his own terminal condition. Second best is Dr. Westphall’s honest feedback to Dr.Craig and how he takes it.)
  4. Present the flow of life. Life goes on no matter what, and how hopeless it seems to be. (Season 1 ends with Auschlander making a toast to life)

St.Elsewhere Season 1 is top notch, both writing and acting wise. The ensemble cast is out of the world, featuring seasoned hands (at that time) like Ed Flanders (As Dr. Donald Westphall), William Daniels (as Dr.Mark Craig), David Birney (as Dr.Ben Samuels), Norman Lloyd (as Dr. Daniel Auschlander) and also top actors today who just started out back then like David Morse (as Dr.Jack Morrison), Denzel Washington (as Dr.Philip Chandler) and a host of others weeklies like Tim Robbins (in ‘Bypass’), Thomas Hulce (in ‘Family History’), Ray Liotta (in ‘Rain), Dick O’Neill & Michael Madsen (in ‘Remission’), Howard Duff (in ‘Addiction’) and Pat Hingle (in ‘Brothers’).

Tailpiece 1:

In one of the episodes, Dr.Craig prepares a definitive list of to-do for his party, sort of a harbinger to Craigslist? 🙂

Tailpiece 2:

The hospital’s nickname, “St. Elsewhere”, is a slang term used in the medical field to refer to lesser-equipped hospitals that serve patients turned away by more prestigious institutions; it is also used in medical academia to refer to teaching hospitals in general. Source: Wikipedia

Tailpiece 3:

St.Elsewhere used to be aired on Doordarshan in godforsaken hours. Back then DD used to telecast adult movies during the same time. My father wondered what these episodes were, and watched a few with me. Later, left me alone 😉

Tailpiece 4:

The mix of traits from Dr.Craig and Dr. Westphall probably makes the best manager in the world.

Uma maheswara ugra roopasya…

Courtesy: The Hindu

In the late 60s, veteran director Bapu made his first feature film “Sakshi” (A witness). It deals with a simpleton who is goaded by the villagers to become a court witness to a murder and later leave him to his fate. One of the first Telugu films to completely shot in outdoor, the film went on to receive lot of critical acclaim. Bapu in his illustrious career revisited the village lore, with films like ‘Manavuri pandavulu’ and ‘Muthyala muggu’,  sticking to the nativity and situations related to the interior Andhra, particularly the coastal belt (Konaseema in telugu).


UMUR is one such tale that is completely set in a town around a hill station and refreshes memories of old classics while presenting the new technique of storytelling and characterization. It deals with a protagonist who is a small photo studio owner. He has never had an altercation with anyone, let alone get into a fight, and is beaten to pulp in public. His determination to avenge it and how he goes about forms the crux of the film. While this is the main theme, it’s also a coming-of-age sorts of a not so young protagonist. Plus, he finds his true love (yet again) and the real emotion behind his craft.

The first half gets a dragged a bit but the movie picks up pace from the inciting incident. Overall UMUR is a nice little film told in an endearing manner making it a decent watch in our homes.

Related links:
Trivikram on Bapu
Albert Pinto Ko Gussa Kyoon Aata Hai
The Hindu on Bapu