Thor: The Dark World

The first installment of ‘Thor’ that was released in 2011 makes a pretense of a story (around step-son and real son rivalry), aided by spectacles. ‘Thor: The Dark World” comes out of this inhibition and focuses primarily on scale and special effects. And it delivers on these counts.

Each and every aspect of of ‘Thor: The Dark World’, from gigantic scale of the action and the sophistication of the visual effects to the production design and costumes, plays to the IMAX and 3D crowds.  With action shifting between the world of gods to that of homo sapiens, or ‘realms’ as the movie puts it, all the crafts come together well, to deliver a visual spectacle that keeps the audience interested throughout.

Accomplished senior actors like Anthony Hopkins and Rene Russo, manage to make their presence felt, with a few scenes thrown in just for that. Tom Hiddleston gets to play a character that has a blend of several archetypes, notably that of the Shapeshifter and the Shadow. He does well. Chris Hemsworth is adequate as he was in the first Thor. Natalie Portman?

In the end, one has to wonder at the ability of Marvel Studios to churn out one blockbuster after other, centered on comics-bred superheroes.

Here is an excerpt from a Forbe’s article on Marvel

It’s hard to think of anything in the history of Hollywood that compares to what Marvel is doing right now. The scope of the company’s film and TV world just expanded with an announcement that Netflix has bought four live-action series and a miniseries to air starting in 2015. That’s on top of a string of films, including The Avengers, which have grossed almost $5 billion at the global box office over the last five years. Marvel’s latest film, Thor: The Dark World, has already earned $110 million overseas and is expected to top the box office in the U.S. when it opens this weekend with $90 million, according to Exhibitor Relations.

Here is the link to the complete article. Marvel’s Magnificent Money-Making Machine

 

I Am That: From Osho Library online…

The trouble with the family is that children grow out of childhood, but parents never grow out of their parenthood! Man has not even yet learned that parenthood is not something that you have to cling to it forever. When the child is a grown-up person your parenthood is finished. The child needed it – he was helpless. He needed the mother, the father, their protection; but when the child can stand on his own, the parents have to learn how to withdraw from the life of the child. And because parents never withdraw from the life of the child they remain a constant anxiety to themselves and to the children. They destroy, they create guilt; they don’t help beyond a certain limit.

And there are foolish people who renounce the world in search of silence. The world does not disturb you; what disturbs is your mind – and they don’t renounce the mind. When a Hindu becomes a monk he still remains a Hindu. Do you see the absurdity? He has renounced the Hindu society, but he still carries the idea of being a Hindu! If you have renounced the Hindu society…then this idea of being a Hindu was given by the same society, how can you carry it?

Somebody becomes a Christian monk, but he still remains a Christian – a Catholic, a Protestant…The mind is so stupid; if you look at its stupidities you will be surprised, amazed! How can you be a Catholic if you have renounced the world? But people renounce the world, they don’t renounce the mind – and the mind is a byproduct of the world! The child is raised by the Hindus, then he becomes a Hindu, because the parents are cultivating Hindu ideology – or Christian, or Mohammedan, or Jain.

Click here to access complete articles at Osho online library (registration and patience required, with lot of captcha authentication)

Brad Stone’s ‘Everything Store’

Excerpts from NYTimes.com article One-Click Wonder: Brad Stone’s ‘Everything Store’

Well, Bezos is the god in Stone’s story, and definitely one of the vengeful and punishing sort, at least when it comes to those who have worked for him, those he has competed against and those who thought, mistakenly, they were in some sort of partnership with him. (That leaves his family, whom we’re told he loves dearly.)

About a quarter of the way into “The Everything Store,” Brad Stone’s engrossing chronicle of the rise of Jeff Bezos and Amazon, he reveals that in the late 1990s, Bezos seriously contemplated trying to collect two copies of every book ever printed and store them in a warehouse in Lexington, Ky. Called the Alexandria Project, a k a Noah’s Ark, the initiative never got out of dry dock. And Lexington had no idea about its near miss with biblical importance.

Project Fargo was even more ambitious: a proposal to fill a warehouse with one of every productever manufactured. “This is the most critical project in Amazon’s history,” Bezos is said to have declared. It wasn’t, but it gives you a sense of the man’s penchant for grandiose ideas.