Toliprema is a blockbuster that catapulted Chiranjeevi’s brother Pawan Kalyan in the big league. The film is a runaway hit inspite of a ‘fit-for-nothing-hero’ kind of characterization which is quite a rarity in Tollywood. Usually, it is action films that made stars like ‘Khaidi’ for Chiranjeevi and ‘Shiva’ for Nagarjuna. So, an almost self-effacing ‘Balu’ character making Pawan Kalyan a big star is a rare event.

Usually Tamil directors are known for their unconventional story lines and it appears that story idea as a novelty has been dealt more by Tamil directors than Telugu Directors. Karanakuran broke the traditional mould of a love story and created some very lovable characters including that of the hero-Balu. Usually the reason for seperation of the lovers is their parents or nature. In this movie, it is the inability on the part of the hero to express his love and his insecurity as an individual that becomes the reason.

The movie is about Balu, a lagger in almost everything, but has a heart of gold. He is taken for a ride by almost everyone and his father gets irritated at the very sight of him. However he has a great set of friends(Ali, Venumadhav et al forms this ‘thottigang’) and his very own unmarried Pedananna(excellently potrayed by seasoned actor, Nagesh). How this fit-for-nothing guy’s life is changed by the entrance of a beautiful girl forms the crux of the movie.

Interesting incidents, sensible comedy and a great screenplay makes this film eminently watchable. It’s success could be called a landmark in the history of Telugu cinema.

My picks

1) Heroine’s introduction scene

2) Venumadav’s monologue about girls in town

3) ‘Emi sodara’ song

4) Hero’s sister with her brother before she leaves to her in-law’s house

5) Climax

Padosan has slapstick humor in plenty. A memorable film, mainly due to an enthusiastic performance by Kishore Kumar, and a wonderful score from Pancham Da.

A simple love story, almost fairy tale, is told against the typical slap stick background–the drama troupe, hysterical antics and going over board at times. But what makes this film almost a classic is the casting.  Mehmood, Omprakash etc breathe life in this film. Take these supporting character artists away, and you might feel the movie as an average fare.

Some of the best scenes

1) When the concept of ‘playback’ is conceived. Sunil Dutt and Kishore are just brilliant in this scene where Sunil sinks his lips to Kishore’s song of ‘O jaane waale baalamwa…lautke aa..lautke aa’

2) ‘Mere Saamne waale kitikeme’ picturization

3) OmPrakash’s exercise and his interlude with the ‘RadheShyam’ chanting match maker.

4) ‘Meri Pyari bindo’ song picturization. Pancham da at his naughtiest best composing the song to a bhajan format…and he comes only second to Kishore da..who rendered it and danced to perfection.

5) ‘Ek chatu naar karke singaar’-before and after the song and the song itself.