All of us have heard about instances when movies get stuck in the cans or not considered saleable, big and known stars out of generosity, contribute their presence in a few scenes/songs and bail those films out.

Sadly, “The Monuments Men” gives you such an impression. (Budget: USD70 MN as per IMDB; No songs)

Directed by George Clooney and supported by an ensemble cast, the movie fails to entertain normal movie going audience with little or no interest in the Arts department. While the Hitle’rs vision to wipe out all the paintings, sculpture etc of great artists is indeed scary and any effort to save it is laudable, the cinematic portrayal of it doesn’t really add up. Perhaps this is the reason why, the character played by George Clooney repeatedly voice overs the question, ‘Is Art really worth all their trouble?’. This question seeps into the story telling and the end product resembles a cross between a History Channel Documentary and a ‘Dirty Dozen’ movie, lacking their respective depth and fun.

Only die hard fans of Bill Murray/Matt Damon/George Clooney (like me),  will be able to sit through the movie and then come out of the movie hall justifying the time and expense in watching it.

Monsoon Wedding (2001) is probably the first Indian film that I can recall which dealt with child abuse in a Hindu joint family. Director Mira Nair reveals it towards the end and just when you feel it was nothing more than a screenplay gimmick, she throws in couple of memorable scenes featuring the veteran, Naseeruddin Shah. In the end, one gets a feeling that  the issue has been dealt sensitively yet sternly atleast in those few moments on screen.

Unfortunately, the same cannot be said about ‘Highway’.

Director Imtiaz Ali uses this issue as a mere justification for the heroine’s ‘ghutan’ (suffocation) and her fascination to hit the road (as revealed in the movie). Towards the end of the movie, when he is presented with a similar opportunity, like in Monsoon Wedding, he squanders it away by limiting it to the heroine’s outburst, while the parents are mute spectators.

Having said that the first half of the film is decently written and most of the scenes keep you interested with a couple of quirky characters thrown in. It is the second half that tests your patience, with visuals dominating the proceedings and the story halting at predicted stops.

Alia Bhatt is outstanding. Period.  But the film is just too big for her shoulders.

It’s time to revisit the old classic ‘ Oh, God!’, with the news of ‘Oh my god’ remake in Telugu grabbing headlines. Refreshingly, it does not feature any lead stars of that time, and ‘God’ appears in an avuncular old man avatar, just another face in the crowd.

‘Oh, God’! is a 1977  film starring George Burns and John Denver.  The story centers on a supermarket manager Jerry Landers (Denver), chosen by God (Burns) to spread his message. Right from their first meeting when Jerry is having his shower to the last scene where God assures him about his sanity, the movie holds your interest like no other.

What’s really refreshing about the movie is that it doesn’t pontificate or play to galleries like films of the genre of ‘Oh My God’ do. Instead the movie is an interesting play on a ‘what if’ scenario and takes us on a journey with an unlikely combination of characters. The movie also gives us plenty to ponder about.

In short, it might not be ‘mass’y enough for remakes in several languages, but it is just about right for a movie lover who expects quality entertainment with a bit of enlightenment thrown in to the mix.

There are several good dialogues from the movie, and this one is my favorite, when an exasperated Jerry Landers questions why he was chosen to spread the message.

Jerry Landers : I don’t even go to any church!
God: Neither do I.

Here is a nice video on Youtube compiled by a fan.