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Sam Manekshaw: On Leadership


Field Marshal Sam Manekshaw presents important attributes of leadership and elaborates with examples in the above video.

It’s hard to imagine a person spending his lifetime in the same domain, but that’s how its been for majority of the stalwarts in any field. Even if we change professions and do multiple things in our lives, the following list should still holds good. Infact, it might even help to dissuade us from flights of fancy, and focus on more important things.

Here we go.

  1. Professional knowledge and Professional Competence.
  2. Make a decision and accept the responsibility.
  3. Absolute justice and impartiality.
  4. Moral and Physical Courage.
  5. Loyalty, expect and give.
  6. Management of men and resources.
  7. Leadership with Human touch.
  8. Discipline (punctuality etc) and Character (knowing who we really are)

A ‘Yes man’ is a dangerous man. He is a menace. He will go very far. He can become a minister, a secretary or a Field Marshal but he can never become a leader, nor ever be respected. He will be used by his superiors, disliked by his colleagues and despised by his subordinates. So discard the ‘Yes man’.”

Do not misunderstand me, when I talk of character. I don’t mean just being honest, truthful, and religious, I mean something more- Knowing yourself, knowing your own faults, knowing your own weaknesses and what little character that we have, our friends, our fans, the ‘yes-men’ around us and the sycophants, help us reduce that character as well.

Related links:
Complete Transcript

Business Storytelling Lessons From Spike Lee

 “Without research, your story will likely be one-sided,” says Lee.

He takes detailed notes on 5×7 index cards. He places the index cards in a box, and when the box is full, he is ready to start writing the story. This paper-based approach allows Lee to shuffle the index cards in a different order as much as needed to convey his vision of the story in the movie script. Lee contends that doing the research makes your story relatable and enables you to weave your message more effectively.

Complete article here–>

Uma maheswara ugra roopasya…

Courtesy: The Hindu

In the late 60s, veteran director Bapu made his first feature film “Sakshi” (A witness). It deals with a simpleton who is goaded by the villagers to become a court witness to a murder and later leave him to his fate. One of the first Telugu films to completely shot in outdoor, the film went on to receive lot of critical acclaim. Bapu in his illustrious career revisited the village lore, with films like ‘Manavuri pandavulu’ and ‘Muthyala muggu’,  sticking to the nativity and situations related to the interior Andhra, particularly the coastal belt (Konaseema in telugu).


UMUR is one such tale that is completely set in a town around a hill station and refreshes memories of old classics while presenting the new technique of storytelling and characterization. It deals with a protagonist who is a small photo studio owner. He has never had an altercation with anyone, let alone get into a fight, and is beaten to pulp in public. His determination to avenge it and how he goes about forms the crux of the film. While this is the main theme, it’s also a coming-of-age sorts of a not so young protagonist. Plus, he finds his true love (yet again) and the real emotion behind his craft.

The first half gets a dragged a bit but the movie picks up pace from the inciting incident. Overall UMUR is a nice little film told in an endearing manner making it a decent watch in our homes.

Related links:
Trivikram on Bapu
Albert Pinto Ko Gussa Kyoon Aata Hai
The Hindu on Bapu