Payback: It’s matter of principle

Release Date : June 20, 1980
Genres: Action, Crime, Drama
Duration: 1h 40m
Rating: 3/5
Director Brian Helgeland
WriterBrian Helgeland, Terry Hayes
Produced byBruce Davey
StarsMel Gibson, Gregg Henry, Maria Bello, David Paymer
Cinematography              Ericson Core
Edited by             Kevin Stitt
Music by              Chris Boardman, Scott Stambler (Director’s cut)
Production Design byJohn Myhre
Production companiesIcon Productions

“Be grateful for what you get, rule number one.” – Porter
“Not many men know what their life’s worth. I do. Seventy grand.
That’s what they took from me. And that’s what I was going to get back.” – Porter

What is it about

Payback is a 1999 American neo-noir action thriller film written and directed by Brian Helgeland in his directorial debut, and starring Mel Gibson, Gregg Henry, Maria Bello, and David Paymer. It is based on the novel The Hunter by Donald E. Westlake using the pseudonym Richard Stark, which had earlier been adapted into the 1967 film noir classic Point Blank, directed by John Boorman and starring Lee Marvin.

After a successful heist, Porter is left for dead. Once he recovers, he seeks vengeance and wants his share of the money. How much? It doesn’t matter to him. Who is pitted against? Same answer. Will he get out alive? Same answer.

Thumbs up

Mel Gibson
Smart Dialogues

Thumbs down

Unnecessary violence

Final verdict

The movie doesn’t disappoint a Mel Gibson fan and provides just about enough to sustain the attention. The role is tailor made for him, and his screen presence allows him to steer through both good and mundane scenes.

Smart writing, decent production design, cinematography and music makes the movie an engaging fare. The blu-ray has a director’s cut and a nice interview with Richard Stark (Donald E.Westlake).

Few tidbits from the bonus features

  1. Writer Richard Stark had a big issue with the name ‘Parker’ as he had to constantly figure out how to use in mundane situations like ‘Parker parked his car’ etc.
    • In his own words, ‘Dialogue comes first, then characters, and finally situations.’
  2. As per Richard Stark, he mentions that Robert Duvall came the closest in terms of Parker’s portrayal in The Outfit, while acknowledge the fabulous job of Lee Marvin in The Point Blank.
  3. The movie blu-ray has both director’s cut and theatrical cut versions, both are not bad actually.

Management Concepts/ Lessons/ References

“When you have to shoot, shoot. Don’t talk.”
― The Ugly, ‘The Good The Bad The Ugly’
“People who preach inner drive are dreamers with a lot of ideas and a lot of talk, and zero production.”
Tim Grover, Author of ‘Relentless

Brubaker: One man against the system

Release Date : June 20, 1980
Genres: Crime, Drama
Duration: 3h 2m
Rating: 3/5
Director Stuart Rosenberg
WriterW. D. Richter, Arthur Ross
Produced byRon Silverman
StarsRobert Redford, Yaphet Kotto, Jane Alexander, Murray Hamilton
Cinematography              Bruno Nuytten
Edited by             Robert Brown
Music by              Lalo Schifrin
Production Design byJ.Michael Riva
Production companies20th Century Fox

“A lot of people will be disappointed in you” – A greedy lumber contractor
“It won’t be the first time.”- A steadfast warden, Brubaker.

What is it about

Brubaker is a 1980 American prison drama film directed by Stuart Rosenberg. It stars Robert Redford as a newly arrived prison warden, Henry Brubaker, who is up against a corrupt system, knowing the fight could go all the way.

Brubaker knows exactly what is wrong and know how to fix it. The people he is pitted against know more about what is wrong, as they are the perpetrators and do everything in their power to stop him, violence included. Their policy is not to take any prisoners. Will Brubaker emerge as hero or a martyr? Will his few friends come to his rescue?

Thumbs up

Robert Redford
Believable setup

Thumbs down

Documentary feel in the first half hour.
Forced drama towards the end

Final verdict

The movie doesn’t disappoint a Robert Redford fan and provides just about enough to sustain the attention. The role is tailor made for him, and his screen presence allows him to steer through both good and mundane scenes.

Excellent production design, cinematography and music makes the movie an engaging fare. Special mention to Lalo Schifrin’s music, which once again stands, right from the main titles.

Management Concepts/ Lessons/ References

“If they answer not to thy call, walk alone,
If they are afraid and cower mutely facing the wall, O unlucky one,
open thy mind and speak out alone.”
Ekla Chalo, Rabindranth Tagore

“Enlighten the people generally, and tyranny and opressions of the body and mind will vanish like evil spirits at the dawn of day.”
― Thomas Jefferson

An Actor’s Actor: From Harihar Jariwala to Sanjeev Kumar…

Release Date : October 25, 2021
Genres: Cinema and Broadcast, Biographies
Duration: 3h 2m
Rating: 3.5/5
WritersHanif Zaveri and Sumant Batra
PublishersEdbury Press

“Every day, the two of us would come up with a new excuse for turning up late. One day we would tell L.V. Prasad, ‘Today, there was a bus accident at Mahim Church.’ The next day, it would be, ‘Two taxis had collided outside Mahim Church.’ An exasperated L.V. Prasad finally told us, ‘If you can’t change the situation, at least change the location. Otherwise, whatever’s happening every day is always outside Mahim Church.’”

Shatrughan Sinha

What is it about

Sanjeev Kumar was an actor par excellence. This statement could have been easily ‘is’ par excellence if fate and his lifestyle tried their best.

Born as Harihar Jethalal Jariwala, and know as Hari or Hari bhai amongst his friends, he chose Sanjeev Kumar as his screen name. This is how millions of moviephiles know him.

The book ’An actor’s actor’ is a brief biography of the great actor, tracing his roots, his relationship with his mother, his bond with his immediate family and close friends and provides a snapshot of his sojourn.

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Decent exposition of his initial journey
Gives an overview

Thumbs down

Could have been more detailed

Final verdict
The authors do make a point at the beginning of the book that they were not attempt to pen down a detailed account of his acting prowess or his method of acting. However, they do provide a few pointers like this paragraph on how he would rehearse before giving his first take, which in most cases is accepted. The book also provides his reasoning behind choice of his roles especially the old characters. The book also throws some light on his wayward habits, late night lifestyle and the effect on his shooting schedules the next day. And how his charm, smile and his huge talent, helped him tide over any issues on the set, as a result of him showing up late.

Sanjeev Kumar’s life was cut short at 47 and he was a man who kept to himself, so a biography can only say so much. Understandably, the book makes you want for more. But it more than makes it up with tidbits about the films he acted in.

A must read for all movie fans and Sanjeev Kumar fans.

Tailpiece
There is major Telugu connection in his initial success, with ‘Khilona’ produced by the movie stalwart L.V. Prasad.

Management Concepts/ Lessons/ References

“Remember: there are no small parts, only small actors.”

Constantin Stanislavski

“The gratification comes in the doing, not in the results.”
― James Dean