What Is Striking In India Is The Indifference Of The Privileged: Chomsky

I have followed India carefully, and have been there a number of times. It is an exciting country in many ways with its rich culture. But what is really striking to me about India, much more than most other countries I have been to, is the indifference of privileged sectors to the misery of others. You walk through Delhi and cannot miss it, but people just don’t seem to see it. Everyone is talking about ‘Shining India’ and yet people are starving. I had an interesting experience with this once. I was in a car in Delhi and with me was (activist) Aruna Roy, and we were driving towards a demonstration. And I noticed that she wasn’t looking outside the window of the car. I asked her why. She said, “If you live in India, you just can’t look outside the window. Because if you do, you’d rather commit suicide. It’s too horrible. So you just don’t look.” So people don’t look, they put themselves in a bubble and then don’t see it. And those words are from somebody who has devoted her life to the lives of the poor, and you can see why she said that — the misery and the oppression are so striking, much worse than in any country I have ever seen. And it is so dramatic. There is a lot of talk about how India is slated to be a major power, and I can’t believe it, with all its internal problems; China too for that matter, but less so.

Complete Interview at Tehelka.com

 

‘Raanjhanaa’: Romance noir

In a love story two things are very difficult to convince. One, about the hero’s single minded obsession for his lover. Second, his pursuit of the path to damnation.’Ranjhanaa’ does these two quite easily thanks to a good screenplay by Himanshu Sharma and a sublime acting performance by Dhanush.

When a young Kundan announces his love (much like Henry wanting to be a gangster in Martin Scorsese’s ‘Goodfellas’) amidst all that chaos in Benares, the audience is bound to believe both the sheer innocence and also accept the fatality of his love in that moment.

When the same boy gets older and his feelings remain unchanged, Dhanush carries on the same effervescence inspite of the film going the noir route.

Dhanush’s potrayal of a carefree, yet good for nothing boy, who only believes in his love as his sole purpose in his life, is one of the best in the recent times. He takes Kundan character to its logical conclusion all the while retaining the original shades. Audience stays with him throughout.

The director Anand Rai exploits Benares pretty well and creates an excellent setting for the conflict between a Hindu boy and a Muslim girl. A.R.Rahman’s inspired background score helps to elevate the mood right through the film.

While Abhay Deol’s character seems a little incongruous and the second half a departure from the first half, once again Dhanush comes to rescue and carries the twists and turns with ease.

Overall, ‘Raanjhanaa’ is a decent watch. Kundan’s theme can be summarized in this excellent song from Kashmir ki Kali..

hai duniya usikee jamana usika
mohabbat me jo ho gaya ho kisee kaa

luta jo musafir, dil ke safar me
hai jannat yeh duniya usakee najar me
usee ne hain luta maja jindagee kaa

hai sajade ke kabil har woh divana
ke jo ban gaya hain tasvire jana
karo yehataram usakee diwanagee kaa

barabad hona jisakee ada ho
darde mohabbat jisakee dawan ho
satayega kya gam use jindagee kaa

 

ET, IT…and the rest