The Spy Who Loved Me…

Story telling is an art. And a few are born with it. If you encounter such raconteurs at a very early age they leave an indelible impressions. I met quite a few in my childhood. Few were in the family and a few were friends. It was a childhood friend that first introduced me to the movie ‘The spy who loved me’.

Just after a day or two watching the film, he narrated the opening scene of the movie with such fervor that I still recall his expansive gestures (XBox Kinetic syle) to show me how Mr.Bond, steered his way through the deadly snow slopes and enemies, and finally made that incredible jump of the cliff. Wow! is what I thought back then and the background music from his mouth still rings in my ear 🙂

For a small kid, with no money in the pocket, and a distant ride to the theatre where this movie played, it was a show like no other. I finally get to watch this film on a Blu-ray, after three decades 🙂

 

The movie doesn’t disappoint with all the Bondesque elements in place. The film looks dated when it comes to the VFX department, considering it was made sometime back. But it more than compensates in the production design department, with elaborate sets and art work. Apparently, MGM set up a new studio stage, which was the largest in those times, which was used for creating a gala press event.

 

The blu-ray has some excellent making videos, the best is the one featuring Ken Adam, the production designer of the film.  He explains in detail the process involved in breakthrough sets for the film, with a special emphasis on the set used for the climax. All, in all a great watch.

 Tailpiece 1: The incredible jump from the cliff is performed by stuntman Rick Sylvesters, and there’s nice video in the blu-ray narrating his feat rather nochalantly, in James Bond’s style. 🙂

Tail piece 2: When the crew was upset because of the horrible food in Egypt, Broccoli had an refrigerated truck with food brought from England. However, someone forgot to turn on the freezer, so all the food was inedible. Producer Albert R. Broccoli jumped into action and took a jeep and some crew, went into town and got some tomatoes, pots, pans and pasta was flown in from Cairo. Broccoli, well known as an amateur chef at home, cooked up a feast for the cast and crew, served by him and Roger Moore. The crew applauded the meal. A sign was painted in the mess-room: “Trattoria Broccoli.” Trattoria is the Italian word for “simpler” restaurant. Broccoli had Italian parents.

Related links:

Stuntman Rick Sylvesters personal account of the Ski Jump in THE SPY WHO LOVED ME
Cubby Broccoli and Roger Moore (James Bond) serve pasta to THE SPY WHO LOVED ME (1977) crew

William James on Habit

Let no youth have any anxiety about the upshot of his education, whatever the line of it may be. If he keep faithfully busy each hour of the working-day, he may safely leave the final result to itself. He can with perfect certainty count on waking up some fine morning, to find himself one of the competent ones of his generation, in whatever pursuit he may have singled out. Silently, between all the details of his business, the power of judging in all that class of matter will have built itself up within him as a possession that will never pass away. Young people should know this truth in advance. The ignorance of it has probably engendered more discouragement and faint-heartedness in youths embarking on arduous careers than all other causes put together.

More at Brainpickings.org

Lingaa

Renowned yester year Telugu writer Narasa Raju, in an interview recalled his conversation with the legend Chakrapani about another legend Surayakantham.  Apparently, when he asked Chakrapani about scenes/situations establishing her character in the movie ‘Gundamma Katha’, he tersely replied, ‘What else would the audience expect from her. No need’. This is the absolute clarity the makers had in the past, with their frugality written all over in building a screenplay.

A fan’s collage of Rajni’s characters

Over the years, directors of Super Star Rajnikanth’s adopted a similar kind of frugality to his portrayal and also extended it to the story line. There are neither lead scenes about his ability to perform death defying stunts, nor a Christopher Nolan’s painstaking attempt to project the transformation into a hero. He is Rajnikanth and he can do whatever he wants, let it be a super-hero or even God.

 No matter what character he plays in the movie, he still does his regular stuff that reflects his on-screen and off-screen image. What is ‘regular’ to Rajnikath has been expanded to cover everything imaginable under sun and made it to silven screen, and what could not, made it to the internet and social media.  And the audience/fans all over the world devoured it in one bite.

‘Lingaa’ is another example where the audience get to see him doing everything that others would do in a dozen movies.(He even does a ‘Mission Impossible’ kind of heist in a song.) Infact, isn’t it the feature of an Indian superstar flick? That you get to watch several movies with one movie ticket? A single movie can become a confluence of global cinema. And, if it is the flick of the superstar of supestars–Rajnikanth–one can imagine what gets packed in a single movie.

‘Lingaa’ is one such ambitious film that picks up elements from many films (including his own) and attempts to package Rajnikath in a coherent way. And it succeeds partially. A few scenes, specially in the second half, gives us a taste of the vintage Super Star.

But, with a duration close to three hours, replete with dull songs, heavy heroines, weak set pieces and insipid gags, the movie misses the mark and one leaves the movie hall a bit disappointed.

Guess, the makers will have to be a less frugal about the storyline? Or is it just a case of  getting the elements right and their execution? These are some of the questions that would haunt the film-makers of the next Rajni film …which even legends like Chakrapani might  find it difficult to crack, if they were around.

Tailpiece: Rajnikanth is shown reading ‘The Hero with a thousand faces’ by Joseph Campbell. Here’s an old blog post on Hero’s journey from this book.

Related links:

Check out the first scene of Gundamma Katha 🙂

ET, IT…and the rest