Category Archives: ET

Parash Pathar…

 

Satyajit Ray’s “Parash Pathar-The Philosopher Stone” is an entertaining fantasy fable that depicts the events in the life of a middle class clerk when he comes into the possession of a stone that can turn any metal into gold.

Tulsi Chakrabarti is just about perfect as the old man who is hurled into several out-of-his control circumstances. Satyajit Ray extracts a ‘musical’ kind of performance from him and his overplay of vacillating soul fits brilliantly into the what-if theme of the film.  Apart from the physical resemblance, this portrayal could be the reason one is reminded of the character of ‘Goblin’ from ‘The Lord of the Rings” ( both physical and behavioral aspects).

While there are several scenes that are note worthy, the lead scenes to the climax and the climax, are probably the best, as they deliver a resolution that you would least expect.

A must watch for anyone who is interested in a simple story, well told, without too many ‘twists’ in the name of screenplay. Sometimes a simple linear three act structure is all it takes when you have a good story and a great director.

DVD is available in the market (which I bought) but the quality is a lot to be desired.

Here’s an Youtube upload without subtitles that just about does it.

 

The Wolf of Wall Street….

‘The Wolf of Wall Street’ is a delirious ride even for Martin Scorsese’s fans and with a duration of 180ms (175ms for the Indian version) one needs to be even more prepared. He teams up with Leonardo DiCaprio for the 5th time and extracts his career-best performance.

In many ways the movie is a tribute to all of Martin Scorcese’s films that assembles most of his well known elements into a world of excess. This time around the gang of criminals are well dressed stock brokers who take over the wall street. And this gang makes their clients invest in future, while they take home hard cash, which leads them every where, from broads to (Swiss) banks. In the end, their crimes like chicken, come home to roost.

There are quite a few brilliant scenes in the movie (lunch with Matthew McConaughey, Leonardo DiCaprio first meeting with Jonah Hill, Leanardo De Caprio’s meeting with the FBI agents on the yacht etc) and the lead cast shines through all of these.

In the end, a crispier and less ribald version would have served better? 🙂 The F word reportedly is used more than 500 times (Source: IMDB) and the director breaks his own previous record (Source: Variety ) 🙂

Robert Duvall’s ‘The Apostle’

“Nanati brathuku natakam” is a beautiful Annamacharya keerthina, popularized by the great singer M.S.Subbalakshmi through her out-of-the world rendition in Revathi raga.

In this keerthana, Annamacharya laments about human existence, its various obstacles in attaining Moksha and says “tegadhu paapamu teeradhu punyamu”. It loosely translates to the  parallel tracks of good and bad acts performed by humans and the inescapable/non-nullifiable consequences of such acts.

‘The Apostle’ is such a story where a Christian preacher struggles to exorcise his bad past even while he constructs a life of good deeds. A detailed synposis is available here on RottenTomatoes.

I saw this movie in 1988/1999 on home-video and Robert Duvall’s performance has stayed with me since then. For many he is the quintessential background guy (Tom Hagen in ‘The Godfather” or ‘Boo Radley” in “To kill a mocking bird”) who delivers a subdued performance but never in the league of a ‘staring in the face’ kind.  ‘The Apostle’ proves this notion wrong.

Robert Duvall is outstanding as the tormented preacher, who is mindful of his own sermon– ‘His judgement cometh and that right soon’. It is his performance that makes the film a must watch for anyone and more so for any actor who wishes to explore realms beyond his comfort zone.