Category Archives: Movies

Non-Stop…

The first movie I saw, that involved an airplane hijack was Passenger 57 (1992) (In Shalimar, Hydearbad?).

Wesley Snipes played the role of an onboard security expert who has to battle out a bunch of terrorists and secure his passengers. The film is a terrific build up of action and also features a nice little interlude outside the aeroplane as well, giving the necessary relief. And, with Mr.Snipes in the lead role minus any need for histrionics, plus a no nonsense action movie format, the movie races ahead to its logical conclusion. There have been several other films set in an airplane, but Passenger 57 is a good example of how to keep things simple.

Passenger 57 (Theatrical Trailer)

Unfortunately, the same cannot be said about Liam Neeson’s latest offering ‘Non-Stop. He plays a psychologically troubled agent who has to pull himself together to save the passengers onboard. While this characterization is good enough for a drama (like Denzel Washington’s ‘Flight’), it doesn’t really beef up an action movie, without a motive for his desperation to complete his mission. If your lead actor is confused, how can one enjoy his punches and fist fights? As if to match his weak characterization, the bad guys are made out to be even weaker and that makes the confrontation less tasty.

On top of it, ‘Non-stop’ attempts to induce suspense/mystery into an action movie resulting in a mishmash that  keeps you interested in the movie alright , but does not deliver the right dosage of entertainment.

May be, the film makers should have attempted a remake of Passenger 57 with a focused Liam Neeson and a worthy opponent. How about Wesley Snipes himself? And that would have been a treat both for the action movie lovers and his fans, who now, will have to remain satisfied with another viewing of ‘Taken’.

 

The Monuments Men

All of us have heard about instances when movies get stuck in the cans or not considered saleable, big and known stars out of generosity, contribute their presence in a few scenes/songs and bail those films out.

Sadly, “The Monuments Men” gives you such an impression. (Budget: USD70 MN as per IMDB; No songs)

Directed by George Clooney and supported by an ensemble cast, the movie fails to entertain normal movie going audience with little or no interest in the Arts department. While the Hitle’rs vision to wipe out all the paintings, sculpture etc of great artists is indeed scary and any effort to save it is laudable, the cinematic portrayal of it doesn’t really add up. Perhaps this is the reason why, the character played by George Clooney repeatedly voice overs the question, ‘Is Art really worth all their trouble?’. This question seeps into the story telling and the end product resembles a cross between a History Channel Documentary and a ‘Dirty Dozen’ movie, lacking their respective depth and fun.

Only die hard fans of Bill Murray/Matt Damon/George Clooney (like me),  will be able to sit through the movie and then come out of the movie hall justifying the time and expense in watching it.

Highway…

Monsoon Wedding (2001) is probably the first Indian film that I can recall which dealt with child abuse in a Hindu joint family. Director Mira Nair reveals it towards the end and just when you feel it was nothing more than a screenplay gimmick, she throws in couple of memorable scenes featuring the veteran, Naseeruddin Shah. In the end, one gets a feeling that  the issue has been dealt sensitively yet sternly atleast in those few moments on screen.

Unfortunately, the same cannot be said about ‘Highway’.

Director Imtiaz Ali uses this issue as a mere justification for the heroine’s ‘ghutan’ (suffocation) and her fascination to hit the road (as revealed in the movie). Towards the end of the movie, when he is presented with a similar opportunity, like in Monsoon Wedding, he squanders it away by limiting it to the heroine’s outburst, while the parents are mute spectators.

Having said that the first half of the film is decently written and most of the scenes keep you interested with a couple of quirky characters thrown in. It is the second half that tests your patience, with visuals dominating the proceedings and the story halting at predicted stops.

Alia Bhatt is outstanding. Period.  But the film is just too big for her shoulders.