Category Archives: Movies

Meet Viju Prasad

More of Viju Prasad coud have helped Anwar Rasheed’s ‘Trance’?

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In the late 80s any attempts to deviate from the regular was met with a disaster at box office. This was especially true for big stars like Amitabh Bachchan. His terrific portrayal in ‘Main Azaad Hoon’ couldn’t help the film from sinking without a trace. The film itself was an adaptation of Frank Capra’s classic ‘Meet John Doe’, where a good for nothing simpleton becomes an overnight sensation, thanks to some crafty schemes of the men behind, who pull the right strings. What happens when the puppet decides to have its own life and break away from the powers to be, is the crux of both films. Without sounding repetitious, or rather sounding repetitious, one has to agree that it is one of the best performances of Amitabh.

‘Trance’ reminds you a bit about these films. A mentally depressed person is picked up and groomed to be a pastor, who can connect to millions of people. While the pastor is bringing his followers the sunshine of Jesus’s miracles, his masters make hay.  One fine day, the pastor/puppet decides to break away and that’s when the movie goes into a spiral and never recovers.

Mental depression or for that matter any mental illness is hard to spot, unless the intensity is so much, that the person shows the symptoms all the time. Otherwise, they look and come across as normal, barring those episodes where the other selves kick in, which most of the times could be when they are alone. The first half of the movie achieves this depiction brilliantly, with Fahadh Faasil switching from one shade to the other, effortlessly. It’s the script in the second half that deserts him, leaving him repetitive and confused, just like the audience.

Overall, ‘Trance’ is an okay film for a one time watch, powered by a spirited performance from Fahadh Faasil and tied in by the novelty of the theme.

Tail piece 1: At the end of the show, when someone was asked about how the film was, he apparently said ‘Main…. Azaad Hoon!’ (‘At last… I am free!). Back then, such negative reactions did cause much hurt to sincere Amitabh fans like me 😉

Tail piece 2: For a few moments I wondered if the movie would take RK Narayan’s ‘Guide’, where the pastor redeems himself as a true saviour or a seeker. Reminding us of such possibilities indeed shows that the script had a lot of promise, which evaporated once the typical denouement of plots was chosen. Ex. The antagonists getting butchered and washed under a (Quentin Tarantino) blood splurge

Tail piece 3: When one is battling mental illness, he/she should reach out to qualified doctors and stay away from dark suited businessmen, even if they were the likes of Gautham Menon. 🙂

Uma maheswara ugra roopasya…

Courtesy: The Hindu

In the late 60s, veteran director Bapu made his first feature film “Sakshi” (A witness). It deals with a simpleton who is goaded by the villagers to become a court witness to a murder and later leave him to his fate. One of the first Telugu films to completely shot in outdoor, the film went on to receive lot of critical acclaim. Bapu in his illustrious career revisited the village lore, with films like ‘Manavuri pandavulu’ and ‘Muthyala muggu’,  sticking to the nativity and situations related to the interior Andhra, particularly the coastal belt (Konaseema in telugu).


UMUR is one such tale that is completely set in a town around a hill station and refreshes memories of old classics while presenting the new technique of storytelling and characterization. It deals with a protagonist who is a small photo studio owner. He has never had an altercation with anyone, let alone get into a fight, and is beaten to pulp in public. His determination to avenge it and how he goes about forms the crux of the film. While this is the main theme, it’s also a coming-of-age sorts of a not so young protagonist. Plus, he finds his true love (yet again) and the real emotion behind his craft.

The first half gets a dragged a bit but the movie picks up pace from the inciting incident. Overall UMUR is a nice little film told in an endearing manner making it a decent watch in our homes.

Related links:
Trivikram on Bapu
Albert Pinto Ko Gussa Kyoon Aata Hai
The Hindu on Bapu

‘The Perfect Murder’

Inspector Ghote/Naseeruddin Shah

Middle class is called so for a reason. They float between flying aspirations and ground reality. They need to prioritize everything in life, and Inspector Ghote is no different. He just has to prioritize even more…from a list of three or more important priorities at work and a zillion at home. He would love to travel abroad but he is prioritising his other ground priority, a colour TV.

‘The Perfect Murder’ (based on HRF Keating’s work) released in 1988 is a perfect film in terms of casting led by the sublime Naseeruddin Shah. He brings such a human touch to his portrayal, that if Police were to showcase a friendly brand at that time, he would’ve been the perfect ambassador. As a man stickler to process and procedure, and burdened under Indian culture and conditions yet determined to do his job, he delivers one of the finest performances surprisingly in a detective/inspector led crime movie role. All the other cast members including the veteran Amjad Khan with his Indian English (only), shine in the Mumbai backdrop film.

With a new series around Inspector Ghote, around the corner, it will be interesting to see how the new avatar would take shape. Will it be a tech savvy reboot like Sherlock or a gritty and grisly Perry Mason? Worth finding it out.