Remembering my father…

A few days after my father underwent his surgery, his sutures were removed, and we had a review meeting with the neuro surgeon.

My Babayya accompanied me in this meeting. The nuero surgeon after enquiring with my father who we were, asked him, ‘Tell me, who is better among these two, your son or your brother? Give me a diplomatic answer’.

My father without hesitation said, ‘Both are better than me’.

The nuero surgeon had a hearty laugh.

* * *

That was my father for you, who always had a repartee or a question ready, even when he was not in the best of his health. But that day, I did not imagine in my wildest dreams that it would be a last spark of his original self that endeared him to a host of people within and outside the family.

In the months to come, the ailment he had, slowly shut-off all the facets of his magical mind, much like the switching of a huge video wall in the last scene of the movie “The Dark Knight”, and breathed his last before our very own eyes. All of this happened in less than 100 days.

While my father’s friends and our elders consoled us, that he passed away without much suffering and that we did the best possible within our reach and that we took very good care of him, the uneasiness in the form of a hundred questions unanswered, still lingers. It was as if the worst possible prognosis came true in my father’s case, both in terms of the disease and the time it had left us with. He simply disappeared, or rather walked briskly away from our midst (like he usually does), changing us forever, and splitting our life into ‘before’ and ‘after’ him.

It will be tough to recollect and tie together all the memories we shared with him into a coherent tale, as each memory in itself is worth a long recount.

So, here is an attempt to reflect on a few, and what they mean to me.

  • My father, during his three decades of association in the entertainment industry, came in touch with hundreds of people, and in the process created and influenced many careers. But, he neither took credit for their success nor was he jealous about their rise. He was as self-assured as anyone can get and this was his defining characteristic.
  • Very often, my father would talk about treating sub-ordinates and strangers with care and affection. I make it a point to remember and act on it, even though my abrasive behavior takes over, every now and then.
  • I cannot recollect a single moment in my father’s life where he felt dejected or rejected. He somehow had that knack to brush aside the gloom and always look at the ray of hope hidden. He was a quintessential ‘in-this-moment’ kind of guy, who responded instinctively to life, and yet keeping an eye for a brighter future.
  • He had the knack of spotting new opportunities much before others and to go all out to convert them. Let it be the first sponsored serial in Hyderabad Doordarshan or the first Telugu programme on Zee TV, he spared no effort to make things happen. He would have made a great sales ‘hunter’ in the corporate world. I will always remember his perseverance during his dozens of visits to Mumbai (sometimes even by a bus) to close the deal with Zee TV.
  • Having seen my father at ease with both success and failure, and with comforts or the lack of it, it is always a constant reminder for me, to keep my balance during the crests and troughs of life.
  • During very early on in my life, he treated me and my brother as his equal and exposed us to his life and experiences in whatever shape and form possible. He influenced my career to a large extent by initiating me both into the world of Computers and Entertainment. (He suggested that I learn computers when I flunked engineering entrance for the first time and later, he did not make it an issue when I left my first job after engineering to pursue a course in Animation. Both, I consider very big give aways in a middle class family, where career and settling in life always meant choosing a well trodden path and taking no risks).
  • My father and I used to have many arguments about quite a few things. He was often exasperated (and sometimes amazed) that I questioned and argued about the merit of several of his views, which his friends from the media and entertainment industry considered as the ultimate in authority and immediate pen worthy. My rejoinder was that it was the luxury of being his son which only my brother and I could afford. (I will have to confess that my father is a tad better than me when accepting criticism from known and unknown quarters, and it will be in the back of my mind to be more receptive and less one sided as I keep getting older).

* * *

I could have probably just avoided saying all of the above and simply put that “My father was a great influence on me and I will miss him a lot.”
But true to a sobriquet he bestowed on me (SONA-SOdi NArayana), I guess, I had to indulge in a few words.

Transmedia Storytelling, Fan Culture and the Future of Marketing

The rise of each new medium — print, motion pictures, radio, television — introduces new forms of communication and entertainment. Often, the new medium initially replicates what came before: Many early movies were filmed stage plays, and early television programs were based on their radio antecedents. Eventually, however, each new medium evolves into its own form.

Our current multi-channel, multi-screen, “always on” world is giving rise to a new form of storytelling, dubbed “transmedia,” that unfolds a narrative across multiple media channels. A single story may present some elements through a television series or a motion picture with additional narrative threads explored in comic books, video games or a collection of websites and Twitter feeds. Depending on their level of interest, fans can engage in selection of these story elements or follow all of them to fully immerse themselves in the world of the story.

Andrea Phillips first encountered transmedia storytelling back in 2001 when a friend told her about a baffling website by the Anti-Robot Militia, a group opposed to the advance of cybernetic humans. On further investigation, she found other online clues that expanded the mystery, and she even participated in real-world events related to the story, such as an Anti-Robot Militia rally in New York. Phillips later discovered these elements were part of an elaborate marketing campaign — later known as “The Beast” — created by a team at Microsoft to promote Steven Spielberg’s forthcoming film, A.I. Artificial Intelligence.

More at KnowledgeatWharton

‘Brave’ artist Emma Coats shares her storytelling wit and wisdom

EMMA COATS’s 22 “STORYBASIC” RULES FOR STORYTELLING:

■NO. 1: You admire a character for trying more than for her or his successes.

■NO. 2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.

■ NO. 3: Trying for theme is important, but you won’t see what the story is actually about till you’re at the end of it. Now rewrite.

■ NO. 4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

■NO. 5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff, but it sets you free.

■ NO. 6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

■NO. 7: Come up with your ending before you figure out your middle. Seriously. Endings are hard — get yours working up front.

■NO. 8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.

■NO. 9: When you’re stuck, make a list of what wouldn’t happen next. Lots of times the material to get you unstuck will show up.

■NO. 10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.

■ NO. 11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.

■ NO. 12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.

■NO. 13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.

■NO. 14: Why must you tell this story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.

■NO. 15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

■NO. 16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.

■ NO. 17: No work is ever wasted. If it’s not working, let go and move on — it’ll come back around to be useful later.

■ NO. 18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.

■NO. 19:Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

■NO. 20: Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?

■ NO. 21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make you act that way?

■NO. 22: What’s the essence of your story? [The] most economical telling of it? If you know that, you can build out from there.

More at Washingtonpost

ET, IT…and the rest