Category Archives: Movies

The Irishman: Review

Three is a company.

In the end credits of ‘The Irishman’, Robert De Niro shares the ‘Produced By’ credit with Martin Scorsese. A good producer typically relegates himself to the background once his duties are finished or when the spotlights are on, and resurfaces whenever required, in whichever role that is required. (Great producers don’t even mind to fill in for a light boy if need be, to avoid the meter ticking in idly.) Robert De Niro does the same to the proceedings on the screen. As Frank Sheeran aka The Irishman, he holds the story together, does his bit in every scene he is put in and plays his part to perfection. Let it be the hitman and his gusto, or the father painfully aware of his growing estrangement with his daughter Peggy (Anna Paquin) or as the loyal follower to his mentor Russell Bufalino (Joe Pesci) who takes care of him like a kid or as the frustrated henchman who tries and fails to convince his union boss Jimmy Hoffa (Al Pacino) to mend his ways or that older self with simple (yet so near impossible for any other actor) forlorn look in the car wash, hoping to find something similar to cleanse his sins…it is vintage Robert De Niro all the way. And he shows one can still be a boss, even while staying quietly in the background, even when playing a side kick the other two great actors- Pesci and Pacino.

Martin Scorsese brings these three great actors together and yet makes sure that each one of them gets their due. Not just them, but many others like the veteran Harvey Kietel (who chides Frank about his first side job that involves ‘his’ laundry store), Ray Romano (as attorney Bil Bufalino who helps Frank understand what legal offence is all about), Jesse Plemons (as Chuckie O’Brien and his car seat-fish episode) and several others like the friendly associate of Jimmy who asks what candy is just before Frank blew away a few taxis. Like a true stalwart, director Martin Scorsese puts the film above everyone else, allows everyone to shoulder the weight, and shine in every scene they are in.

Great actors rule with or without dialogues. Sometimes, just their presence is enough. Joe Pesci doesn’t have a ‘funny guy’ routine from ‘The Goodfellas’ or ‘the tough guy’ bashing from ‘The Casino’. But he does enough in the two scenes just before Frank leaves for his final meeting with Jimmy. He exudes affection and power at the same time, and Frank has to no choice but to comply.

Same with Al Pacino, who plays the boisterous and very warm Jimmy Hoffa. His contrasting scenes with Robert De Niro and the others, where his ego comes into full play, are a treat to watch. And the final scene before the fateful meeting as he looks on at his foster son and then at Frank (Robert De Niro is terrific here) for assurance, Al Pacino is at his understated best.

Performances wise, nothing a movie buff can ask for more…that too from the best in the business. For this reason, Martin Scorsese deserves singular credit and makes ‘The Irishman’ a must watch.

Tailpiece: Movies to revisit-->The Goodfellas, Casino, The Scent of a Woman, The Godfather-II, A Bronx Tale, Road to Perdition, Donnie Brasco.

The Founder

McDonald brothers from ‘The Founder’

Years after the brothers sold to Mr. Kroc, someone asked Richard McDonald if he had any regrets. None, Mr. Halberstam relates.
‘I would have wound up in some skyscraper somewhere with about four ulcers and eight tax attorneys trying to figure out how to pay all my income tax,” Mr. McDonald replied.

Source: NYTimes.com

Towards the end of the movie, ‘The Founder’, Ray Kroc (Michael Keaton) says some uncharitable words to the two McDondald brothers who actually started the first McDonalds’s joint and put together the Speedee System. Going by the above NY Times article and the book “Behind the Golden Arches”, it is difficult to imagine if a) Ray Kroc actually said it b) it was so easy for Ray Kroc to put together the money to buy off McDonald brothers.

Barring these two, ‘The Founder’ pretty much captures the entrepreneurial spirit of 50 something Ray Kroc and does a good job of presenting how
he takes the idea from McDonald brothers and creates a nationwide fast food chain around it. The movie showcases his trials and tribulations, his epiphanies, and his personal transformation, and Michael Keaton delivers a good performance. There is a good deal of coverage about his team and their contribution–Harry Sonnenborn coming up with the real estate investment model, Fred L. Turner who became chairman of the company and June Martino, who started off as a book keeper grew along withe company.

What the movie misses out or rather omits, are the many innovations and backward integration that the company was involved in under Ray Kroc’s leadership and the overseas expansion of the brand. One has to read to the book ‘Behind the Arches’ to get a better idea of these.

Even without these, ‘The Founder’ is a good watch, and a must watch for all the entrepreneurs.

Related Links:
Richard McDonald, 89, Fast-Food Revolutionary
Behind the Golden Arches

The Equalizer 2: Killed the golden goose?

Star actors are rare. Basically they can and try to ‘act’ in a blockbuster material. What is a blockbuster material? It is where logic takes backseat to create a larger than life image. He/she can pull off miracles, tide away near death crises and most importantly do stupid stuff with élan. Amitabh Bachchan is one such star actor. Give him the same material over and over again, he still finds ways to redeem himself. Like the above scene from ‘Majboor’ my father used to rave about.

Infact, star actors are the ones who make us focus on scenes and continue to talk about them much after we watched the full movie. It is they who increase the shelf life of a movie by allowing us to devour the same movie in bits and pieces. Thanks to them, scene based programs had a good run right from Doordarshan (‘Showtime’) to cable TV explosion (‘Kya Scene Hai on Zee’)…and their popularity stayed intact even with the advent of scene aka clip behemoth—Youtube. Even today most of the star actors’ clips are in much demand and more so, of Mr.Bachchan. In a way, both the mediums and the star actors benefited from each other.

We have such star-actors in Hollywood too like Denzel Washington. Fans flock to watch his films and lap up whatever he does. Many even observe his terrific acting in mundane of situations. And once in a while they like to see him beat the sh*t out of villains.

equalizer

‘The Equalizer’ was one such excellent opportunity for Denzel and he did exactly that. On one hand he beat the goons like never before (very well choreographed but violent scenes) and on the other did what he does best, terrific acting like looking into the villain’s eyes on the stairs and telling him he isn’t a pushover. So naturally, when ‘The Equalizer 2’ is out, the expectations are bound to be high, with Denzel reprising a role for the first time ever and also because there were many things you could better in comparison with the first film. And you are bound to be short changed. The disappointment plays out at multiple levels—story, treatment, action scenes and the utilization of Denzel.

One wonders why the urgency to dwell into Robert McCall’s past and pick up themes from there rather than sticking to his legend. The loner vigilante decently built up in the first part is enough to sustain the interest in the sequel (this also reflects in the film’s box office opening numbers) and the writers should have dealt ‘The Equalizer 2’ as a standalone film. The action scenes though start off okay, end up totally out of sync towards the end (with an X-Men Wolverine kind of climax fight set against a hurricane).

But the biggest problem is the star-actor’s effective presentation on the screen. While ‘The Equalizer’ has quite a few scenes that give enough ammunition for the actor Denzel to leave his mark, the sequel dumbs it down and doesn’t really create the ambiance for the actor to shine. Most importantly one misses the confrontation scenes with the main antagonist that is sacrificed in the name of an inane plot twist.

In the end we have a sequel that doesn’t live up the to the original, leaving the audiences/fans unsatisfied.  And it appears in the process the  makers have killed the golden goose. Gold for Denzel fans being he returning in ‘The Equalizer’ avatar again.

Tailpiece:

There is a lot of difference between Bollywood and Hollywood star actors.  An Amitabh could do a Denzel but a Denzel probably coudn’t  an Amitabh. But we might never find out 🙂

Related links:

Wow! That Denzel Subtle Confrontation.

Denzel’s ultimate threat

Amitabh at his angry best

Amitabh in a comedy scene

Amitabh’s mass song