Category Archives: Movies

Sandow M. M. A. Chinnappa Thevar

Chinnapa Thevar practiced Hindu religion and was an ardent devotee for Lord Muruga. Once Income Tax officials raided his house and was astonished to find so many Viboothi packets of Murugan temples, but no cash. Any profit from the movie he splits into four parts. The first part was given to Murugan temples as he believed that all of his success was because of Lord Muruga. Because of this many Murugan temples like Pazhani temple, Tiruchendur temple and Marudhamalai temple were benefited. The second part he kept for himself. The third part is for his old friends who supported him during his early days who collected few thousands and sent him to Madras for film making. The fourth and final part he gave to the needy people.

On 6 September 1978, during the shooting of the film Thai Meethu Sathiyam at Ooty, Devar complained of chest pain, since he had high blood pressure[2] he was advised by the doctors in Ooty to get admitted in hospital, he was soon brought in his car from Ooty to Coimbatore. He was admitted in a private hospital upon arrival. After treatment he recovered partially, but again got chest pain on 8 September 1978 and died by 10 a.m morning in spite of intense treatment. He was 63 when he died.[6]

The day of his demise was a ‘Shashti’ day, very special to Lord Muruga.

Complete bio on wikipedia

In the Line of Fire

It takes courage to play one’s age or near about on the big screen, especially for a global superstar. Clint Eastwood does it with élan, in ‘The Line of Fire’. He was 60+ when the movie was made and he plays a 50ish character in the film.

There are two ways to play an ageing hero, either ignore the age completely and do one’s regular gig (shoot to kill, song ‘n’ dance if you are an Indian star etc) or completely surrender to the typicality of the age in question to bring in the believability. Clint Eastwood takes the middle path. He brings to the fore the struggles of the age and the overcoming of it in the character of Frank Horrigan, while still displaying the heroics required. This allows him to be a human, and blend those aspects into storytelling.

Mind you, his age always hovers around him, when he is out of breath during the chases, or when he is hesitant about his chances of winning the heart of his fellow officer, but it is the effort that his character puts in and emerging as a winner that makes him a hero eventually. It’s a slow and steady path, much like his career graph over the years. In short he takes the ‘lambi race ka ghoda’ approach and not the effortless gunslinger we are so used to seeing him in the westerns and cop movies. But he still delivers his goods in the end.

This movie also servers a pointer to our Indian superstars who so easily get carried away by Sylvester Stallone kind of Expendables, aka Wild Dogs that allows little variety in storytelling. Instead they should look at Clint Eastwood, Robert Redford and Paul Newman to pick the characters that allow some backstory and sub-plot/s, which creates opportunities for drama, comedy etc, or display the strengths/features the audience associate them with.  More like a diversification showcasing their original traits in a sublime manner or as a theme and weaving the so called ‘new’ around it. Otherwise why should a famous star do it, instead of the part going to a newcomer?

Both ‘In the Line of Fire’ and ‘Wild Dog’ are streaming on Netflix.

Tail Piece 1: My father used say a middle aged actor would look very handsome as an old person, like Sanjeev Kumar in Aandhi etc. The reverse if often very difficult.

Tail Piece 2: The best way to show an old actor in flashback is not to show him at all. Like Sean Connery in ‘The Indiana Jones and the last Crusade’ where he chides the young Jones to speak in Latin.

The Godfather: The Actors Who Almost Played Michael Corleone

Who almost played Michael Corleone in The Godfather instead of Al Pacino? In 1972, Francis Ford Coppola’s epic drama became an immediate classic, primarily because of the collective performances and the fictional study of an American crime organization. Marlon Brando headlines the mob film as Vito Corleone, but it’s Pacino who steals the show as a soft-spoken World War II veteran who takes over the family business.

Complete article here–>